TITLE - REFLECTION OF INDIAN CASTE
SYSTEM (UNTOUCHABILITY) IN INDIAN CINEMA
Table
of Contents
1. Introduction……………………………………………………………..
4
2.
Background………………………………………………………………5
2.1 The Caste System………………………………………………………5
2.2 The Caste System In Indian
Cinema…………………………………6
3. Purpose Of
The Study………………………………………………... 8
4. Literature Review………………………………………………….....9
5. Statement Of
The Problems……………………………………... 12
5.1 Government
Initiatives………………………………………………...12
5.2 Rigidity Of Caste System
(Untouchability)…………………………13
5.3 Contemporary
Cinema……………………………………………….14
5.4 Cinematic Review……………………………………………………14
6.
Design Of The Work………………………………………………….16
6.1 Empirical Research: Case
Study………………………………….. 16
6.2 Research
Setting……………………………………………………..17
6.3 Literature
Search…………………………………………….……….18
6.4 Review Of Similar
Work……………………………………………...18
6.5 Production Of Research
Work…………………………….…..……18
7.
Results…………………………………………………………………..20
7.1 Findings………………………………………………………………..21
8.
Conclusion……………………………………………………………..23
9.
Bibliography……………………………………………………………26
10.
Filmography……………………………………………………….… 28
1.
INTRODUCTION
This paper outlines the background of the caste
system in India and the history of its portrayal in Indian cinema, identifies
how this portrayal has changed over time and analyses why this has occurred and
the impact that a modern and empathetic portrayal in film can have on the
experience of untouchables in India today.
This research is motivated by the continued existence of the caste
system in India, the devastating impact on those considered ‘untouchable’ and
an interest in the way that this hierarchical structure is reflected and
influenced by Indian cinema. The paper
utilizes various critical and
questionnaire based data analysis and case studies of various Indian film
directors and films to ascertain how the lowest castes, the ‘untouchables’ have
been, and continue to be portrayed in Indian cinema. It will be argued that in the past Indian
films portrayed the caste system in a much more realistic way, compared with
modern cinema in India which places commercial considerations above the need to
pursue social justice objectives.
Derived from the Portuguese word ‘casta’, caste can
be defined as an inflexible class system in which a hereditary social hierarchy
is maintained generation after generation and allows little mobility out of the
position into which a person is born (Robert Merton, 1979). Caste is a contentious, discriminatory and
ongoing aspect of Indian society. Lower
caste individuals are considered to be ‘untouchables’, a status which denies
them the right to live as normal and respected human beings. They are subjugated, concealed and
marginalized by the people of upper caste.
Caste has been reflected in Indian cinema for over seventy years
(1930-2012). During this time, the
depiction of the caste system and its role in Indian society has changed. To some extent this change reflects changes
in the way that the caste system is viewed by mainstream Indian society, and in
some cases filmmakers have lead this change to subjugate the discriminatory
caste system in India.
2. BACKGROUND
2.1
The Caste System
In India, lower caste
individuals are considered to be ‘untouchables’, a status which denies them the
right to live as normal and respected human beings (Hutton, 1963). They are subjugated, concealed and
marginalized by people of the upper castes.
A dalit (untouchable) is deprived of all human rights and is the most
underprivileged and languished group in India. They are allocated a status
beneath the Hindu caste. Religion appears to authorize both untouchability and
the caste system (Neeraja, 1997).
The unique caste
systems began with the immigration of Aryans from North India in around
1600BC. Throughout the Vedic Age, Manu
the originator of this prehistoric Hindu or Aryan civilization instituted the
latest social classification which introduced religious ethics from a former
and acquisitive civilization. He
established four social classifications (outlined below) based on four major
goals of both person and civilization. A social categorization system of four
diverse classes (Varnas) was consequently devised to support the individual to
live in a structured society (Friedmann, 1970).
Although the derivation
of the caste system relates to Hinduism, it has influenced the entire Indian
society. In the Hindu context the caste
system is simply the distribution of groups in society into four castes,
allocated in a hierarchy. But in
practice, the caste system emerged as far more complex with many extra castes,
sub-castes and other categories. The term ‘Jati’, used
to depict caste in Indian society, is a derivative of a
Sanskrit word Jata meaning
“birth” or “brought into existence” (Prabhu and Pandarinat, 1979).
It signifies a type of life verified by origin, and describes any group that
has generic features. Jatis are
conventionally ordered in hierarchical classification and fit into one of the
four fundamental Varnas, derived from a Sanskrit word meaning colours.
According to the Varna
scheme there are various kinds of categories of caste including:
Ø The
Brahmans who are recognized as pastors, Saints and the educated class
Ø The
Kshatriyas who are considered leaders and soldiers (such as landlords).
Ø The
Vaishyas who are considered those with a viable living, for example businessmen
etc.
Ø The
Shudras who are the manual workers (Prabhu and Pandarinat, 1979).
Although the Shudra
caste existed from the outset, various sub divisions of caste were instituted
after the formation of the Indian constitution in 1950. The first category,
Scheduled Castes (SC), refers to the Untouchables. The second category,
Scheduled Tribes (ST), include those who did not accept the caste system and
preferred to inhabit the jungles, forests and mountains of India. The third
category is called Other Backward Classes (OBC) and includes former untouchables
who converted from Hinduism to other religions (Metcalf, Thomas, 1971).
To
read more…….
Contact
us -
Writekraft
Research & Publications LLP
www.writekraft.com
OR
Call us @ +91- 7753818181, 9838033084
Or
email us: writekraftuk@gmail.com
No comments:
Post a Comment